Saturday, September 18, 2010

"Being To Timelessness As It's To Time" by EE Cummings

being to timelessness as it's to time,
love did no more begin than love will end:
where nothing is to breathe to stroll to swim
love is the air the ocean and the land

(do lovers suffer?all divinities
proudly descending put on deathful flesh:
are lovers glad?only their smallest joy's
a universe emerging from a wish)

love is the voice under all silences,
the hope which has no opposite in fear;
the strength so strong mere force is feebleness:
the truth more first than sun more last than star

— do lovers love?why then to heaven with hell.
Whatever sages say and fools,all's well


----
So I haven't been nearly as consistent with this as I'd originally hoped. I may revise it a bit & combine it with a few other blog ideas I've had. We shall see.

Tuesday, June 15, 2010

"or anything resembling it" by Michael Palmer

The hills like burnt pages
Where does this door lead

Like burnt pages
Then we fall into something still called the sea

A mirrored door
And the hills covered with burnt pages

With words burned into the pages
The trees like musical instruments attempt to read

Here between idea and object
Otherwise a clear even completely clear winter day

Sometimes the least memorable lines will ring in your ears
The disappearing pages

Our bodies twisted into unnatural shapes
To exact maximize pleasure

From the view of what is in any case long gone and never was
A war might be playing itself out beyond the horizon

An argument over the future-past enacted in the present
Which is an invisible present

Neva streaming out by the casement
Piazza resculpted with bricolage

Which way will the tanks turn their guns
You ask a woman with whom you hope to make love

In this very apartment
Should time allow

What I would describe as a dark blue dress with silver threads
And an overturned lamp in the form of a swan

A cluster of birches represent negativity
Flakes of ash continue to descend

We offer a city with its name crossed out
To those who say we are burning the pages

Thursday, May 20, 2010

"Mrs. Noah: Taken After the Flood" by Jo Shapcott

I can't sit still these days. The ocean
is only memory, and my memory as fluttery
as a lost dove. Now the real sea beats
inside me, here, where I'd press fur and feathers
if I could. I'm middle-aged and plump.
Back on dry land I shouldn't think these things:
big paws which idly turn to bat the air,
my face by his ribs and the purr which ripples
through the boards of the afterdeck,
the roar - even at a distance - ringing in my bones,
the rough tongue, the claws, the little bites,
the crude taste of his mane. If you touched my lips
with salt water I would tell you such words,
words to crack the sky and launch the ark again.

Tuesday, May 18, 2010

"Weather's Here, Wish You Were Beautiful" by Rachel McKibbens

There was the summer you ignored me so hard
it gave me bad posture. By fall, the chiropractor
prescribed a back brace and a name tag to wear
around the house.

Every Christmas Eve, instead of throwing me
a birthday party, you'd soak me in the bathtub,
fully-clothed, and hang misletoe above the light sockets.

I was never included in family portraits-
you said I had a face only a mother could leave.
I remember standing in your hallway every other weekend,
gazing at you and my stepbrother, wearing the framed smiles
I knew I would inherit.

I became your biggest fan, chasing your car home
from the grocery store, standing outside your bedroom
for an autograph or a handshake, explaining,
Ma, I've seen ever one of your home movies!
"Weekend Trip to the Zoo," "Mother Son Picnic in Yosemite"
and I know every one of your mood swings by heart.

When you'd drop me off at home, I'd brag to Dad
and his girlfriend about my brush with fame. They'd smile
and nod, then shake the wild imagination right out of me.

Pretty soon the weekend visits faded into a nineteen-year
carnival line where I waited for you until the sights and sounds
of families and laughter made my stomach plunge.

That's the year I lost my appetite then found it
in men disguised as getaway cars. Sometimes a tingling sensation
sweeps across my face like an amputee's phantom itch,
and I realize how much I miss the back of your hand.

I know, I never apologized for steering you
into that marital car crash, but how was I to know
they'd pry your legs apart, drag me from the wreckage,
my first cries shattering that rear view mirror of a heart?

You could have told them. You could've explained-
I was just some filthy hitchhiker you never meant to pick up.
A greedy little fetus. An accident waiting to happen.

Thursday, May 6, 2010

"i like my body when it is with your body" by EE Cummings

i like my body when it is with your
body. It is so quite a new thing.
Muscles better and nerves more.
i like your body. i like what it does,
i like its hows. i like to feel the spine
of your body and its bones, and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the, shocking fuzz
of your electric fur, and what-is-it comes
over parting flesh... and eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new

Monday, May 3, 2010

"Cause and Effect" by Charles Bukowski

the best often die by their own hand
just to get away,
and those left behind
can never quite understand
why anybody
would ever want to
get away
from
them

Saturday, May 1, 2010

"Since There is No Escape" by Sara Teasdale

Since there is no escape, since at the end
My body will be utterly destroyed,
This hand I love as I have loved a friend,
This body I tended, wept with and enjoyed;
Since there is no escape even for me
Who love life with a love too sharp to bear:
The scent of orchards in the rain, the sea
And hours alone too still and sure for prayer—
Since darkness waits for me, then all the more
Let me go down as waves sweep to the shore
In pride, and let me sing with my last breath;
In these few hours of light I lift my head;
Life is my lover—I shall leave the dead
If there is any way to baffle death.

Friday, April 30, 2010

"Hap" by Thomas Hardy

IF but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love’s loss is my hate’s profiting!”

Then would I bear, and clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased, too, that a Powerfuller than I
Had willed and meted me the tears I shed.

But not so. How arrives it joy lies slain,
And why unblooms the best hope ever sown?
—Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan….
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.

"Sonnet 75" by William Shakespeare

So are you to my thoughts as food to life,
Or as sweet-seasoned showers are to the ground;
And for the peace of you I hold such strife
As 'twixt a miser and his wealth is found.
Now proud as an enjoyer, and anon
Doubting the filching age will steal his treasure,
Now counting best to be with you alone,
Then bettered that the world may see my pleasure,
Sometime all full with feasting on your sight,
And by and by clean starved for a look,
Possessing or pursuing no delight
Save what is had, or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.

Wednesday, April 28, 2010

"Sonnet #43" by Elizabeth Barrett Browning

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints!---I love thee with the breath,
Smiles, tears, of all my life!---and, if God choose,
I shall but love thee better after death.

Tuesday, April 27, 2010

"Postcards" by Wendy Cope

At first I sent you a postcard
From every city I went to.
GrĂ¼sse aus Bath, aus Birmingham,
Aus Rotterdam, aus Tel Aviv.
Mit Liebe. Cards from you arrived
In English, with many commas.
Hope, you're fine and still alive,
Says one from Hong Kong. By that time
We weren't writing quite as often.

Now we're nearly nine years away
From the lake and the blue mountains,
And the room with the balcony,
But the heat and light of those days
Can reach this far from time to time.
Your latest was from Senegal,
Mine from Helsinki. I don't know
If we'll meet again. Be happy.
If you hear this, send a postcard.

"After the Lunch" by Wendy Cope

On Waterloo Bridge, where we said our goodbyes,
The weather conditions bring tears to my eyes.
I wipe them away with a black woolly glove
And try not to notice I've fallen in love.

On Waterloo Bridge I am trying to think:
This is nothing. you're high on the charm and the drink.
But the juke-box inside me is playing a song
That says something different. And when was it wrong?

On Waterloo Bridge with the wind in my hair
I am tempted to skip.
You're a fool. I don't care.
The head does its best but the heart is the boss-
I admit it before I am halfway across.

Wednesday, April 21, 2010

"Transcending Ego" by Don Iannone

Into my life you staggered
like some teetering drunk in the night
I fed you, gave you a place to rest
Eventually we became friends, then lovers

I loved you, almost as much as I love myself
This love’s ended, but you’re still here–
parading about naked in broad daylight
Even worse, lurking about as a ghost in my dreams

I built you up, you tore me down
I gave you my best, always you demanded more
I drew up separation agreements, time and time again
You never signed any of them

Why are you still here?
There’s nothing left to give you, or myself
What can I give you
that will make you go away, forever?

Even your silence draws life out of me
There is no peace as long as you’re here
No peace until I forget your name
No living until you’re dead

Not even death can extricate me
from your insatiable wantings
For somehow, you’ve embedded yourself
even in my own dark death wish

Beware, for I shall be watching you
as I sit in motionless silence
Without thinking, without doing
Watching you pass away into emptiness

Tuesday, April 20, 2010

"Variation on the Word Sleep" by Margaret Atwood

I would like to watch you sleeping,
which may not happen.
I would like to watch you,
sleeping. I would like to sleep
with you, to enter
your sleep as its smooth dark wave
slides over my head

and walk with you through that lucent
wavering forest of bluegreen leaves
with its watery sun & three moons
towards the cave where you must descend,
towards your worst fear

I would like to give you the silver
branch, the small white flower, the one
word that will protect you
from the grief at the center
of your dream, from the grief
at the center I would like to follow
you up the long stairway
again & become
the boat that would row you back
carefully, a flame
in two cupped hands
to where your body lies
beside me, and as you enter
it as easily as breathing in

I would like to be the air
that inhabits you for a moment
only. I would like to be that unnoticed
& that necessary.

Sunday, April 18, 2010

"A Dream Within A Dream" by Edgar Allan Poe

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow-
You are not wrong, who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand-
How few! yet how they creep
Through my fingers to the deep,
While I weep- while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

Thursday, April 15, 2010

"The Poor Fools" by Brian Patten

You ask why poets speak so often
In the language of goodbyes.
It’s because beginnings take them by surprise.
Love comes and hammers them,
And then the poor fools are lost for words.
They abandon their pens, and their fingers
Itch for other things: buttons, nipples, zips –
For everything but the poor abandoned pen.

Wednesday, April 14, 2010

"It is Not So Much That I Miss You" by Dorothea Grossman

It is not so much that I miss you
as the remembering
which I suppose is a form of missing
except more positive,
like the time of the blackout
when fear was my first response
followed by love of the dark.

Tuesday, April 13, 2010

"This is a Love Poem" by Mary Fell

My blood
suddenly
knows you are gone

It is shouting your name

It runs
down to the ends of my fingers
looking for you

It wants to be
a piece of red wool
unraveling
all the way to Central America

It wants to be a boat
coming into the harbor at Managua
carrying fruit

Through all the rooms of my body
it is running
opening doors

A child in a tantrum stamps
red shoes
demanding to know where you are

Thursday, April 8, 2010

"Balance" by James Harris

Next summer she'll be too old for naps,
but this July, with the right story
and patience, you can still
settle her down in our bed
in the wide berth of a weekend afternoon.

And that's why we're making love now
we're in her small room. Where you shift
on top. Where we coax and quicken
and your right hand,
braced against the wall,
inches up cool plaster.

Wind pushes in again and again,
always leaving slack the blind
to knock against the sash.

Yet, we feel no breeze through the window-
as if the blind's tugged inward
to balance a recurring loss of pressure
elsewhere in the house.

Tuesday, April 6, 2010

"After Years" by Ted Kooser

Today, from a distance, I saw you
walking away, and without a sound
the glittering face of a glacier
slid into the sea. An ancient oak
fell in the Cumberlands, holding only
a handful of leaves, and an old woman
scattering corn to her chickens looked up
for an instant. At the other side
of the galaxy, a star thirty-five times
the size of our own sun exploded
and vanished, leaving a small green spot
on the astronomer's retina
as he stood on the great open dome
of my heart with no one to tell.

Saturday, April 3, 2010

"Red, Orange, Yellow" by Donald Hall

For five years of my life, or ten,
I lived no-color.
In a beige room I talked
clipped whispers
with a lady who faded while I looked at her.
Even our voices were oyster-white.
My generous monsters
were pale as puff-balls of dust.
Leaves on trees I grew
turned dingy. I mowed pale grass.
Friends parked station-wagons like huge dead mice
by my house that was nearly invisible.
Dollar bills lost color
when I kept them in my wallet.
I dreamed of mountains gray like oceans
with no house-lights on them,
only coffins that walked and talked
and buried each other continually
in beige rock in beige sand.

So I looked for the color yellow.
I drank yellow for breakfast,
orange at lunch, gold for dinner.
Red was the color of pain.
Now I eat red
all day. The sky is her yellow.
Sometimes no-color years
rise in slow motion,
like Mozart on drums. Their name is Chumble.
They smile
like pale grass, looking downward.
But red sticks
needles in my eyes.
Yellow
dozes on the beach at Big Sur
or in the center of my new room
like a cactus
that lives without water, for a year.

Thursday, April 1, 2010

"Resignation" by Nikki Giovanni

I love you
because the earth turns round the sun
because the North wind blows north
sometimes
because the Pope is Catholic
and most Rabbis Jewish
because winters flow into springs
and the air clears after a storm
because only my love for you
despite the charms of gravity
keeps me from falling off this Earth
into another dimension
I love you
because it is the natural order of things

I love you
like the habit I picked up in college
of sleeping through lectures
or saying I'm sorry
when I get stopped for speeding
because I drink a glass of water
in the morning
and chain-smoke cigarettes
all through the day
because I take my coffee Black
and my milk with chocolate
because you keep my feet warm
though my life a mess
I love you
because I don't want it
any other way.

I am helpless
in my love for you
It makes me so happy
to hear you call my name
I am amazed you can resist
locking me in an echo chamber
where your voice reverberates
through the four walls
sending me into spasmatic ecstasy
I love you
because it's been so good
for so long
that if I didn't love you
I'd have to be born again
and that is not a theological statement
I am pitiful in my love for you

The Dells tell me Love
is so simple
the thought though of you
sends indescribably delicious multitudinous
thrills throughout and through-in my body
I love you
because no two snowflakes are alike
and it is possible
if you stand tippy-toe
to walk between the raindrops
I love you
because I am afraid of the dark
and can't sleep in the light
because I rub my eyes
when I wake up in the morning
and find you there
because you with all your magic powers were
determined that
I should love you
because there was nothing for you but that
I would love you

I love you
because you made me
want to love you
more than I love my privacy
my freedom my commitments
and responsibilities
I love you 'cause I changed my life
to love you
because you saw me one friday
afternoon and decided that I would
love you
I love you I love you I love you


----
This is dedicated to Alex...particularly the last line.

Wednesday, March 31, 2010

"On the Necessity of Sadness" by Mikael de Lara Co

Let me tell you about longing.
Let me presume that I have something
new to say about it, that this room,
naked, its walls pining for clocks,
has something new to say
about absence. Somewhere
the crunch of an apple, fading
sunflowers on a quilt, a window
looking out to a landscape
with a single tree. And you
sitting under it. Let go,
said you to me in a dream,
but by the time the wind
carried your voice to me,
I was already walking through
the yawning door, towards
the small, necessary sadnesses
of waking. I wish
I could hold you now,
but that is a line that has
no place in a poem, like the swollen
sheen of the moon tonight,
or the word absence, or you,
or longing. Let me tell you about
longing. In a distant country
two lovers are on a bench, and pigeons,
unafraid, are perching beside them.
She places a hand on his knee
and says, say to me
the truest thing you can.
I am closing my eyes now.
You are far away.

Tuesday, March 30, 2010

"When I Think" by Jeanne Marie Beaumont

about how naive I was though never

admitting it, how badly I chose early on


pending my affections carelessly as

spare change then making quick getaways

igniting the bridges—or when I think of the time

wasted brooding and stewing, my heart a sort of

crock-pot simmering bitterness, it’s good to be

grown-up at last with boxes of journals I’m unlikely

to get back to and albums of photos as a very

selective mnemonic aid as though most of life

had been a string of holidays, reunions, bright

birthday parties when of course it’s dreary Mondays,

Friday nights watching old black-and-white movies,

hands ink stained from the newspaper, waits

at the post office, subways, trips to the drugstore,

thousands of bowls of cereal, pots of soup—And

when I think of all those I went to school with,

worked alongside, ate with, taught, those I will not

ever see again due to the odd cruel way time

shakes us and scatters us and never recombines

us even perhaps someone I was married to, even

him, and those I failed or let down or otherwise

proved myself a disappointment to, and those I will

never share the same time and place with, we will never

coincide, and that’s a shame but also reassuring

because how much are we capable of accumulating,

of absorbing I wonder, for already I try to grasp

one thing only to feel another slip away to make room,

a musical chairs of the mind and who keeps taking

a chair away—so that when I think of the finite

it seems the most profound fact, the boundaries

of minutes, years, borders of gardens and countries,

frame of the painting, edge of the screen, that one

chair left though it has the softest fabric, high back,

cushions to nod right off in until the music stops.

Monday, March 29, 2010

"Monologue for an Onion"- Suji Kwock Kim

I don't mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion--pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping. Idiot.
Is this the way you go through life, your mind
A stopless knife, driven by your fantasy of truth,

Of lasting union--slashing away skin after skin
From things, ruin and tears your only signs
Of progress? Enough is enough.

You must not grieve that the world is glimpsed
Through veils. How else can it be seen?
How will you rip away the veil of the eye, the veil

That you are, you who want to grasp the heart
Of things, hungry to know where meaning
Lies. Taste what you hold in your hands: onion-juice,

Yellow peels, my stinging shreds. You are the one
In pieces. Whatever you meant to love, in meaning to
You changed yourself: you are not who you are,

Your soul cut moment to moment by a blade
Of fresh desire, the ground sown with abandoned skins.
And at your inmost circle, what? A core that is

Not one. Poor fool, you are divided at the heart,
Lost in its maze of chambers, blood, and love,
A heart that will one day beat you to death.

Sunday, March 28, 2010

Sonnet CXVI- William Shakespeare

Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.

----
I was helping my sister memorize a passage from Shakespeare's "Julius Caesar" today, so I thought I'd post some Shakespeare in her honor.

Thursday, March 25, 2010

"if you like my poems let them" by E.E. Cummings

if you like my poems let them
walk in the evening,a little behind you

then people will say
"Along this road i saw a princess pass
on her way to meet her lover(it was
toward nightfall)with tall and ignorant servants."


---
Another ee cummings poem for you, since I forgot to post a poem yesterday.

"i carry your heart with me" by E.E. Cummings

i carry your heart with me(i carry it in
my heart)i am never without it(anywhere
i go you go,my dear; and whatever is done
by only me is your doing,my darling)
i fear
no fate(for you are my fate,my sweet)i want
no world(for beautiful you are my world,my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you

here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life;which grows
higher than the soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart

i carry your heart(i carry it in my heart)


----
One of my favorite poems. I've memorized it- it's a marvelous poem to recite.

Tuesday, March 23, 2010

"The canals. The liquor coming through" by Joshua Beckman

The canals. The liquor coming through
the straw. The canals the land and
the bridge and the landing by the bridge
destroyed. The liquor. The little anger
growing inside the friends. The canal.
The pile of wood up against the bank.
The liquor. The friends. A little
anger growing inside them. The canal.
The jets. The wood in piles along
the bank. The dead. The jets. Liquor
through a straw. Speaking. A little anger
grows inside them. The jets. The dead.
The bank. The sky. The friends. The jets.
The dead. A little anger grows inside them.



----
There's something breathtaking about the repetition in this poem, especially with the increasing urgency in the rhythm at the end.